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MUTINY ON THE PERIPHERY: an (Inside) Alternative Perspective on Liverpool's Year of Culture, in Culture & Agency, Contemporary Culture and Urban Change (ed. Monica Degen and Dr. Malcolm Miles, University of Plymouth Press), April 2009, ISBN: 9781841022321 Available from Blackwells |
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Future Visions of History Featured in Art goes AWOL (Malcolm Miles), Spaces of Vernacular Creativity: Rethinking the Cultural Economy. Routledge (ed. T Edensor et al, Routledge, published 22 Oct 2009) ISBN: 978-0-415-48095-6 Available from Routledge |
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Art Prize Penny Whitehead/Albert Heta and Daniel Simpkins/wooloo. Cataloguing a twenty artist collaborative project (ed. Salford Restoration Office). Published in a run of 500, Dec 2009. Further information about this project |
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In October 2008 we contributed an essay to the Global Art Market issue of the electronic journal ArtArtArt. The text explores the relationship between art, globalisation and independent trade by asking a mobile phone text service that professes to 'know just about everything about anything' a series of questions ranging from why are artists poor? to how much money do we spend in Tesco?. Download ArtArtArt here (pdf) |
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Whilst working as artists/litter pickers at the Green Man Folk Festival in August 2006, we contributed via a series of text messages sent by mobile phone Bring Back the Long-Haired, Bearded Socialists to the inaugural No Fixed Abode publication. Download the No Fixed Abode publication (pdf - may take a minute to download) |
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DEPARTURE / ARRIVAL was presented by artist Rosie Farrell as part of Near Distance at Arena Gallery, Liverpool Independents Biennial, November 2006. The event involved the release of a number of homing pigeons to an audience of five reviewers; our review explored the role of the review and the reviewer.
Download DEPARTURE / ARRIVAL review (pdf - may take a minute to download) |
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THE END was a collaboratively curated group show of more than sixty graduating artists at End Gallery, Sheffield, May 2006. We were co-authors of the introduction to the catalogue and an interview with Becky Shaw and organised two symposia on Institutions and Collaborative Curating.
Further information on THE END symposia View THE END exhibition catalogue |
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